MOTHER AND CHILD--2009

Rated: R

Stars: Annette Bening, Naomi Watts, Kerry Washington, Samuel L. Jackson

Director: Rodrigo Garcia

Genre: Drama

Rife with poignant moments and superb performances, Mother and Child follows the interconnected lives of three women: The middle-aged Karen, (Annette Bening) who bore a child at the age of 14 and gave it up for adoption; Her child as an adult, Elizabeth, (Naomi Watts); and Lucy, (Kerry Washington) a young woman anxious to adopt a child.

Annette Bening--who remains one of our most talented actresses--shines as a moody, difficult woman, haunted by her decision lo these many years. Naomi Watts has always been an "anything goes" film presence, (see Mullholland Drive) and she's still willing to bare a lot more than her soul. Her portrayal of a promiscuous, emotionally numb young woman is spot on.

What can sometimes be the emotionally devastating effects of the adoption game may be a bit overplayed here, but Mother and Child is a film with its heart in the right place.

Grade: B +

A LIFE LESS ORDINARY--Retro: 1997 (R)

Stars: Cameron Diaz, Ewan McGregor, Holly Hunter, Delroy Lindo

Director: Danny Boyle

Genre: Dark Comedy

Holly Hunter steals the show as a gun-toting, tobacco juice spitting emissary from heaven who, along with her sidekick, (Delroy Lindo) is on a mission to unite two unlikely bedfellows (Cameron Diaz and Ewan McGregor) in true romance.

Danny Boyle (Slumdog Millionaire) demonstrated his directorial prowess early on in this quirky, high energy romp that seeks to answer the question: IS LOVE MERELY AN EMOTIONAL ADAPTATION TO A PHYSICAL NECESSITY?

Retro Grade: B

Now playing at home:THE GIRL WHO PLAYED WITH FIRE (Rated R)

STARS: Noomi Rapace, Michael Nyqvist

DIRECTOR: Daniel Alfredson

GENRE: mystery/suspense/thriller

(Two versions on the DVD--In Swedish with subtitles, and dubbed in English version)

Noomi Rapace returns as Lisbeth Salander--the chain-smoking, bisexual computer hacker and butt-kicker in the second installment of Stieg Larsson's Millenium trilogy: The Girl Who Played With Fire.

This time she's being framed for a triple murder--yes, this is a girl who just can't seem to stay out of trouble. We instinctively feel that she didn't do it, because her former investigative journalism partner , Mikael Blomkvist, (Michael Nyqvist) believes in her innocence, and WE believe that he is an all around good guy, dedicated to journalistic ethics and bringing out the truth. (This you will know from seeing the first film: The Girl With The Dragon Tattoo, also reviewed here. See "Dragon" first, so that certain things about this film will fall into place easier for you.)

But anti-hero that she is, I found myself wondering if the numerous plot twists and turns of this movie (like the first one) might somehow snake back on themselves and point the finger at her anyway, as her prints are on the murder weapon, after all! And she spent time in the looney bin as well...all grist for the police to try to build a case against her. It all ties in with a sex trafficking ring about to be exposed by Blomkvist's publication, Millenium, and the subsequent outing of some high profile dudes who are involved. It's a race against time for Salander to try to clear her name, while Blomkvist goes after the real bad guys-- and there are some intriguing ones, straight out of the old James Bond movies.

Perhaps due to a switch in directors, (Niels Arden Oplev directed "Dragon," while Daniel Alfredson was at the helm for this one)I found The Girl Who Played With Fire to have more of a brooding tone to it than the first film--and I like brooding a lot...you know, when there's a break in the action and one of the main characters is lost in contemplation about her plight, sitting in front of a picture window with a gorgeous view, while some appropriately brooding (defined as to dwell gloomily on a subject) music plays, thanks to Jacob Groth's appealing soundtrack.

The Girl Who Played With Fire is gritty and dark (almost TOO dark--for my tastes-- during some of the sex scenes involving Salander and her female friend...hey, turn up the lights!). But it held my interest, with the expected surprises along the way, (expect the unexpected) leading to a web of corruption and intrigue...kinda like the election we just had here in America!

Noomi Rapace and Michael Nyqvist are two fine actors--and they didn't disappoint here--setting the stage for the third leg of the trilogy: The Girl Who Kicked The Hornet's Nest.

GRADE: B

TIMMY'S QUICK REFERENCE MOVIE GUIDE (continually updated)

5 stars=Excellent/Outstanding

4 stars= Really Good

3 stars= Worth considering

2 stars=Kinda Sucks

1 star=Stinks To High Heaven (take out the garbage!)

FIND SOMETHING GREAT TO WATCH TONIGHT!

Films listed alphabetically--*asterisk beside title indicates full movie review exists in the archives of Timmy's Noodle. Click on the title to see the review.

5 STARS

A Man And A Woman (French/romance)

And Now Ladies And Gentlemen (French/romance)

And Now My Love (French/romance)

Babel (drama)

Beyond Rangoon (political drama)
The April Fools (comedy)

*The Artist (Comedy/drama)
*Carnage (dark comedy)
Chinatown (classic/mystery)

*Circumstance (Drama)
*Crazy, Stupid, Love (romantic comedy)

*Don Juan DeMarco (drama)

Duck, You Sucker! (classic/spaghetti western)

The Fighter (drama)
The French Lieutenant's Woman (romantic drama)
Garden State (comedy)

The Graduate (classic/drama)

Groundhog Day (comedy)

Havana (drama)

Heaven Can Wait (classic/comedy)

*Horrible Bosses (dark comedy)

Last Tango In Paris (drama)

Live For Life (French/romantic drama)
Love Me If You Dare (French/drama)

Lost In Translation (drama)

Love Actually (romantic comedy)

Love Affair-- 1994 version (romance)

Lust, Caution (Chinese/drama)
The Magus (classic/mystery)

Margaret (drama)
Midnight Cowboy (classic/drama)

*My Week With Marilyn
*The Names of Love
*Never Let Me Go

One Eyed Jacks (classic/western)

The Shining (horror)

*Submarine (dark comedy)
Swept Away--original 1974 version (Italian/romance)

Three Days Of The Condor (espionage)

*Young Adult (Dark comedy/drama)
*Zombieland (horror/dark comedy)

4 STARS

The Accidental Tourist (drama)

*The Adjustment Bureau

All The Real Girls (drama)

*Amelia (drama)

*The American (thriller)

American Pie (coming of age comedy)

Angel-A (French/drama)

Arthur (comedy)

A Serious Man (comedy)

Big (comedy)

*Beyond Rangoon (Action/adventure)

Black Book (Dutch/drama)

*Black Swan (psychological/erotic thriller)

*Blue Valentine (drama)

Body Heat (thriller)

The Bridge (documentary)

Bridget Jones Diary (romantic comedy)

Buffalo '66 (dark comedy)

*Broken Embraces (Spanish/drama)

The Cabin In The Woods (horror)
*Capitalism, A Love Story (documentary)

Carnal Knowledge (classic/drama)

*Cedar Rapids (comedy)

Cinema Paradiso (Italian/drama)

A Clockwork Orange (classic/indescribable!)

Closer (romantic drama)

*Cowboys & Aliens (western/action-adventure/sci-fi)

Crash (drama)

*Crazy Heart (drama)

The Crook (French/thriller)

*The Curious Case of Benjamin Button(adventure/drama)

*District 9 (sci-fi-fantasy)

Duel (classic/mystery)

*Earth (documentary)

Enemy Of The State (thriller)

*Everybody's Fine (drama)

The Exorcist (horror)

The Family Stone (comedy)

5o First Dates (romantic comedy)

Food, Inc. (documentary)

Five Easy Pieces (classic/drama)

Foul Play (comedy)

*Friends With Kids (romantic drama)
*Funny People (comedy)

*Gigantic (comedy)

*The Girl With The Dragon Tattoo (Swedish/thriller)

God Bless America (Dark Comedy)
*Going The Distance (romantic comedy)

The Heartbreak Kid--original version (comedy)

*I Am (documentary)

*I Am Love (drama)

I Am Number Four (sci-fi/action/drama)
*The Ides of March (drama)

*The Invention Of Lying (comedy)

Klute (classic/drama)

*Kick-Ass (action/dark comedy)

*Knowing (action/adventure)

*Last Chance Harvey (drama)

The Last Picture Show (classic/drama)

Laura (classic/mystery)

Les Uns Et Les Autres (French/drama)

Like Stars On Earth (India/musical)

*The Lincoln Lawyer (drama/mystery-thriller)

*Love And Other Drugs (drama)

*Love In The Time Of Cholera (romance)

*Midnight In Paris (romantic comedy)

The Mirror Has Two Faces (drama)

Moonstruck (romance)

*Mother And Child (drama)

My Dinner With Andre (drama)

My Name Is Nobody (spaghetti western)

*The Notebook (romance)

Notting Hill (romantic comedy)

North By Northwest (classic/thriller)

Once (indie/musical)

*Our Idiot Brother (comedy)

*127 Hours

The Painted Veil (drama)

Paris (French/drama)

Paris Je T'Aime (French/romance)

Paris, Texas (drama)

*Passengers (drama)

Phenomenon (drama)

*Pirate Radio (comedy)

Play Misty For Me (thriller)

*Precious (drama)

*The Proposal (romantic comedy)

*The Quiet American (drama)

Rebbeca (classic/thriller)

Rab Ne Bana Di Jo Di (India/romance)

*Rachel Getting Married (drama)

*The Reader (drama)

Reign Over Me (drama)

Starman (Sci-fi/fantasy)

The Secret In Their Eyes (Spanish/drama)

Seeking A Friend For The End Of The World (drama/dark comedy)
Serendipity (romantic comedy)

*Serious Moonlight (comedy)

Shortbus (drama)

*Shutter Island (thriller)

Sidewalls (romantic drama)
Sideways (comedy)

*Sunshine Cleaning (drama)

*Synedoche, New York (dark comedy)

*Take Shelter (drama)
Taking Woodstock (HIPPIES!)

10 (romantic comedy)

*Tetro (drama)

*The Tourist (romantic thriller)

*Terminator Salvation (sci-fi/action adventure)

*Transformers 2-Revenge Of The Fallen (sci-fi/action adventure)

*Transsiberian (thriller)

The Truth About Cats And Dogs (comedy)

*Tuesday, After Christmas (drama)
*Two Lovers (drama)

The Unbearable Lightness Of Being (drama)

*Up In The Air (drama)

V For Vendetta (sci-fi/fantasy)

*Vickie Cristina Barcelona (comedy)

Walkabout (classic/drama)

Waltz With Bashir (documentary)

Whatever Works (comedy)

*The Wrestler (drama)

*The Year Of Living Dangerously (drama)

3 STARS

*A Perfect Getaway (thriller)

A Single Man (drama)

A Life Less Ordinary (comedy)

About A Boy (comedy)

Across The Hall (thriller)

*Adventureland (coming of age drama)

Altered States (sci-fi)

*All About Steve (romantic comedy)

American Beauty (drama)

American Pie Presents: The Book Of Love (comedy)

*American Reunion
An Education (drama)

An Examined Life (documentary)

*Angels and Demons (thriller)

As Good As It Gets (comedy)

Away We Go (comedy)

Annie Hall (comedy)

Before Sunrise (romance)

The Badge (crime thriller)

The Beguiled (classic/drama)

The Big Chill (classic/drama)

Being John Malkovich (comedy)

Big Daddy (comedy)

Bread And Tulips (Italian/romantic comedy)

*Breezy (romantic drama)

Blue Velvet (mystery)

Boys Don't Cry (drama)

*Bridesmaids (comedy)
Big Miracle (drama)

Brief Interviews With Hideous Men (romantic comedy)

Broken Flowers (indie/drama)

Bullitt (classic/action)

The Burning Plain (drama)

The Brown Bunny (indie/art house)

Butterflies Are Free (classic/romance)

*Chloe (thriller)

Cop Out (action comedy)

The Cry Of The Owl (thriller)

The Cutting Edge (drama)

*Date Night (comedy)

The Day Of The Jackal (classic/thriller)

Don't Look Down (Spanish/romance)

The Dreamers (drama)

Duplicity (thriller)

Easier With Practice (indie/ drama)

Edge Of Darkness (thriller)

*Extremely Loud and Incredibly Close (drama)
Fargo (drama)

Feast Of Love (drama)

*(500) Days Of Summer (comedy)

*Forgetting Sarah Marshall (romantic comedy)

*Frozen River (drama)

*Ghosts of Girlfriends Past (romantic comedy)

*The Girl Who Played With Fire (thriller)

*Gone (thriller)
The Good Life (indie/drama)

Good Night And Good Luck (drama)

Greenberg (drama)

Hannah And Her Sisters (comedy)

Happy Accidents (comedy)

Hitch (romance)

*Hot Tub Time Machine (comedy)

*I Love You, Beth Cooper (comedy)

*I Love You, Man (comedy)

In The Cut (thriller/Meg Ryan nekkid!)

*Inception (sci-fi/thriller)

*In Time
Kids (drama)

La Bonne Annee (French/comedy)

The Lake House (romance)

Lake Tahoe (Spanish/drama)

The Last Days Of Disco (indie/drama)

The Last House On The Left--updated version (horror)

The Last King Of Scotland (drama)

Leap Year (comedy)

Les Miserables (French/drama)

The Limits Of Control (thriller)

Manhattan (comedy)

*Margot At The Wedding (Indie/dark comedy)

Match Point (drama)

*Melancholia (sci-fi/fantasy)
Meet The Fockers (comedy)

Moon (sci-fi thriller)

The Mystery Of Pittsburgh (drama)

Marathon Man (classic/thriller)

*My Life In Ruins (comedy)

The Myth Of The American Sleepover(drama)
New York, I Love You (drama)

The Night Porter (drama)

Nothing Like The Holidays (comedy)

Once Upon A Time In Rio (Spanish/drama)

Ondine (fantasy/drama)

Out Of Africa(classic/drama)

*Peacock (drama)

*Powder Blue (drama)

The Prince Of Tides (drama)

*Revolutionary Road (drama)ad

*The Rum Diary (action-adventure/comedy)

*17 Again (comedy)

*Sex And The City--The Movie (comedy)

*Sex And The City 2 (comedy)

Shrink (indie/drama)

The Sixth Sense (thriller)

Sin Nombre (Spanish/drama)

Solitary Man (drama)

*Splice (sci-fi/thrilleer)

*Spread (comedy)

Stealing Beauty (romantic comedy)

*Surrogates (sci-fi/fantasy)

Swimming Pool (British/thriller)

Table For Three (comedy)

*The Town(action/thriller)

Taxi Driver (drama)

*Transformers--Revenge Of The Fallen (sci-fi/fantasy)

The Trouble With Romance (indie/comedy)

Two For The Road (classic/romance)

Vanilla Sky (thriller)

Westworld (classic/thriller)

What Happens In Vegas (comedy)

What Women Want (romantic comedy)

The Women (comedy)

*Yes Man (romantic comedy)

*You Will Meet A Tall Dark Stranger(drama/comedy)

Y Tu Mama Tambien (Spanish/drama)

2 STARS

Abduction (action-adventure)

The Answer Man (comedy)

Bizarre (horror)

Claire's Knee (French/arthouse)

*Did You Hear About The Morgans? (comedy)

Elegy (drama)

Frontier Of Dawn (French/romance)

Into Temptation(drama)

I Know Who Killed Me (thriller)

*Gran Torino (drama)

*Harry Brown (thriller)

*The Hunger Games (action/adventure)
*Knight And Day (Action/adventure)

Leaving Barstow (drama)

*Legion (thriller)

Mama Mia! (musical)

Medicine For Melancholy (drama)

The Merry Gentleman (drama)

Miss Congeniality (comedy)

Mulholland Drive (drama)

*Nights In Rodanthe (drama)

*New Years Eve (romantic comedy)
Night Train (thriller)

Pandorum (sci-fi/fantasy)

The Passion Of The Christ (drama)

*Seven Pounds (drama)

Shuttle (thriller)

Sister Act (comedy)

*Star Trek (sci-fi/fantasy)

Sweet Home Alabama (comedy)

*The Time Traveler's Wife (drama)

Twister (action/adventure)

*2012 (action/adventure)

*The Ugly Truth (romantic comedy)

Water Lilies (French/romance)

*Wendy And Lucy (drama)

*Whiteout (thriller)

The Wicker Tree (horror)

1 Star

Coyote Ugly (drama/the title speaks for itself)

The Killer Inside Me (drama/the stupidest ending ever committed to film)

Mondo Cane (ritual animal slaughter/ the worst movie I've ever seen)

Lying (drama/this sucks, no lie)

Miss Congeniality 2: Armed And Fabulous (comedy/everybody involved mailed it in)

Solaris (sci-fi/fantasy/ just lousy in a general way)

Touched (drama/can't remember anything else about it, luckily)

*When In Rome (romantic comedy/silly, unoriginal, not funny)

The Weather Underground (jumbled, incoherent mess)

*Salt (action/thriller/ ridiculous, superhuman stunts "performed" by Angelina Jolie that could only be done by Superman on a good day)

GOING THE DISTANCE (rated R)

Stars: Drew Barrymore, Justin Long, Christina Applegate, Charlie Day, Jason Sudeikis, Jim Gaffigan

Director: Nanette Burnstein

Genre: Romantic Comedy

Going the distance means doing whatever it takes in order to accomplish your goal--such as when you're in your car and you urgently need to find a restroom--sometimes going miles out of your way as a result of this desperate need. Going The Distance is a romantic comedy about the desperate need of long-distance lovers to be together.

Erin (Drew Barrymore) is an intern with a New York city newspaper. Garrett (Justin Long) works in the record industry. They meet at a bar and subsequently develop a love relationship. (Because everybody knows that a bar is the kind of place where you'll meet that quality person you'll want to spend the rest of your life with!) But Erin is moving back to San Francisco to go to college, leaving Garrett to pine away for her in New York.

The long-distance relationship begins, and when Garrett flies out to the west coast, he meets Erin's sister, Corrine, (Christina Applegate) and her dimwit hubby, Phil, (Jim Gaffigan) neither of whom are especially enamored with him. But love survives, and Erin finds herself back in New York, trying to get it on in Garret's bedroom while his whacked-out roommate is orchestrating the couple's tryst by playing what he considers appropriate theme music through the wall.

But distance eventually puts a strain on any relationship, and things begin to sour when the lovers face the reality that one of them will have to give up his or her life as it is and move to where the other resides.

Going The Distance has lots going for it--including a great supporting cast. Garrett's buddies (Charlie Day and Jason Sudeikis) are creatively foul-mouthed and goofy, and a good share of the laughs in this film come as a result of their antics. On the distaff side, Christina Applegate is refreshingly lewd in her sisterly banter with Erin ( always nice to see an actress you've originally noticed in some inane TV sitcom completely shedding that image and just letting the gutter talk fly). In fact, once or twice I found myself thinking WHOA--did they REALLY say that? The dialogue (crisp, but seldom clean) hits new heights for an R-rated film on the potty-mouth meter.

The pacing of Going The Distance is euphoria inducing, buoyed by a lilting soundtrack that features one of my all-time favorite songs: "Don't Get Me Wrong" by the Pretenders--and, perhaps, the best editing job I've seen. It moves seamlessly from scene to scene with a homogeneous momentum. (Eat, Pray, Love film editor, take note!)

A bit where Garrett goes to one of those spray-on tan places in preparation for his trip to the west coast--fumbling about inside the cubicle, holding onto his privates, (for some odd reason...why shouldn't they be tan too?) and getting sprayed in the eye, induces a laugh-and shake-your-head-at-the-same-time reaction. An awkward attempt at long-distance phone sex is silly-- but funny/silly--compounding the sense of frustration the lovers feel about their predicament.

Romantic comedy equals formulaic plot, but I was enjoying this movie to the point of where I didn't think much about making any big deductions for that.

GRADE: B +

Now playing at home: HARRY BROWN (Rated R)

Stars: Michael Caine, Emily Mortimer, Charlie Creed-Miles, Ben Drew

Director: Daniel Barber

Genre: Action/Thriller

Not far back I wrote that Michael Caine was one of a select group of actors that I would go to watch, even if his movie sucked. I've followed up on that statement by viewing Harry Brown, a film as violent, cynical, and mean as they come.

Caine plays Harry Brown, an elderly widower and ex-marine. When his old compadre Leonard (David Bradley) is slain by young London street thugs, he turns into a British version of Clint Eastwood's vengeful character of Walt in Gran Torino, with a little Dirty Harry mixed in. Harry goes on a vigilante rampage --trying to find the punk who did the deed--blowing away anyone who gets in his way. The once mild-mannered pensioner becomes as cold-blooded as his adversaries, and that's the tragedy of the eye-for-an-eye ethos--it brings everyone down to a sub-human level.

Caine is superb in his portrayal of a man who slowly (and chillingly) morphs from average, look-the-other-way citizen into a calculating and relentless force to be reckoned with, despite his advanced age. The drug-addicted low lifes he's dealing with put the sadistic delinquents from A Clockwork Orange to shame. They rule the streets, as the police are portrayed as lamebrained, wimpy, and ineffective-- the one exception being the talented Emily Mortimer in an understated performance as the police detective who begins to sniff Harry out when the bodies start piling up.

Harry Brown will appeal to the vigilante justice crowd--feeding into the frustration ordinary folks feel about a world seemingly out of control (an erroneous perception fueled by the media).

Technically, the film is well done, but there is no subtlety in its uncompromising message. Dirty Harry did it with more panache, and the old spaghetti westerns did it with more style and imagination.

GRADE: C-

THE AMERICAN (rated R)

Stars: George Clooney, Thekla Reuten, Paolo Bonacelli, Violante Placido, Johan Leysen

Director: Anton Corbijn

Genre: Thriller

Not your normal Hollywood fare, The American grabs hold of you with one of the most startling opening scenes you're ever likely to see. And then the movie becomes brooding and introspective, but we've been put on notice of the kind of thing that can--and will be expected--to happen again. We're just waiting to see who, how, what, when and where.

George Clooney is Jack, a hired assassin. We don't know who he's working for, other than the weathered dude (Johan Leysen) who gives him instructions over the phone. Other assassins are after him, trying to knock him off before he can knock them off--kinda like the old Mad Magazine's Spy Vs Spy. We don't know who they're working for either...CIA? KGB? Or just some murderous SOB? This uncertainty has the effect of bringing all events into the immediacy of the NOW--which is where, ideally, life should be lived anyway. Every small thing that happens is magnified in significance, and with all those shadowy folks out gunning for him, Jack is naturally a little paranoid. So just sitting down for a cup of coffee with someone has him second guessing himself--as well as the person he's with--his finger constantly poised upon the trigger.

After the opening incident, which occurs in the snowy white Swedish countryside, Jack is instructed to hole up in a small Italian village. There, he is to deliver a custom made weapon to a mysterious female hit woman named Mathilde (Thekla Reuten). We don't know who she'll be targeting, but it's going to make a big splash in the newspapers.

Jack is befriended by a local priest, Father Benedetto, (Paolo Bonacelli) who senses that the American is up to something, and talks to him about sin. But the hired gunman is a cold, hard customer...until he gets involved with a beautiful prostitute named Clara, (Violante Placido) who wants to have more than a business relationship with him. (After all--it IS George Clooney!) Jack discovers that his conscience--deeply buried--is still alive in there somewhere, and decides he wants to get out of the killing game and start a normal life with Clara. BUT--with the kind of karma he has incurred for himself, will it be too late?

The American has a traditional plot, but refreshingly so. You don't need a scorecard to follow it, like a lot of thrillers these days (Inception, for example) that leave you scratching your head, wondering if they made it so complicated because they wanted you to come back and pony up your money a second or third time, just to try to figure it out.

The scenery is pleasant to the eye--not the least of which is the oft-naked Violante Placido as Jack's love interest.

If you're the type of moviegoer who needs to have everything spelled out at the end with a neat little bow on top, you'll be displeased. But if you can take the larger view and grasp that The American is about "sin" on a universal scale--and that all those tidy little details would be superfluous, I think you'll come away satisfied.

And if you're the ruthless sort yourself--not an assassin, but a business person, let's say--who tries to screw your customers by running TV commercials with a lot of unreadable fine print at the bottom of the screen that contradicts everything that's coming out of your mouth--you may find yourself reassessing your skulduggery, and developing perhaps a tiny speck of conscience, after viewing this film.

GRADE: B+

EAT, PRAY, LOVE ( PG-13)

Stars: Julia Roberts, Richard Jenkins, James Franco, Viola Davis, Billy Crudup, Javier Bardem

Director: Ryan Murphy
Genre: Adventure/drama


Ryan Murphy directs Julia Roberts and a capable cast in the screen adaptation of author Elizabeth Gilbert's 2006 bestseller, Eat, Pray, Love--wherein the writer sets off on a year long quest to find enlightenment, romance, and great Italian pizza.


Bored with her marriage to Steve, (Billy Crudup) Liz files for divorce and takes up with a young actor (James Franco) who whets her appetite for spirituality--unwittingly sewing the seeds of his own demise with the flighty wordsmith--who seems to burn out quickly on guys who really care for her.
So she's off to Italy, where she'll engage in philosophical discourse with her new acquaintances while stuffing her face a lot; then to India where she hangs out in an ashram, looking like she's always feeling slightly out of her depth; and finally to Bali, to soak up wisdom from a toothless medicine man and get involved with a Brazilian dude--another nebulous relationship--because she's never quite sure about anything.

And now to my biggest pet-peeve about films that are adapted from nonfiction: The central character is always played by someone who is noticeably better looking than the real person. (Unless it's like, Ernest Borgnine.) So that is the first thing that gets fictionalized when a nonfiction book hits the silver screen. Liz Gilbert is a reasonably attractive woman, but she's no Julia Roberts. However, when I read the book some years back, I got the distinct impression that the author thought of herself as being this super hot chick, so she must have figured the selection of Ms. Roberts to play her was spot on.

Richard Jenkins' performance as the down-home Texas dude who befriends Liz at the ashram in India, dispensing nuggets of wisdom as he deals with the spectre of his own past, is already being touted as Oscar worthy, and I agree. And Javier Bardem as Felipe, Gilbert's love interest in the latter part of the film, is an affable presence, and sure-fire swoon material for this chik-flick's primary audience--though I think that Eat, Pray, Love does have broader appeal than that--if for no other reason than there's been a ton of hype about it, and guys will inevitably get dragged into the theatre at the behest of their girlfriends and spouses.

Now, how shall I describe the soundtrack? Well, it's one of the most curious, surprising, delightful, and baffling amalgamations of sound accompanying a major film in recent memory. From breezy samba rhythms, to Sly and the Family Stone, Kool and the Gang, Neil Young, and something that nearly made me fall out of my seat...a piece lifted right from Gato Barbieri's exquisite soundtrack from Last Tango In Paris. Never have I seen such a blatant recycling of something so wholly identifiable--for all time--with one particular movie, and a classic at that. I was delighted, (to hear it) yet cringing at the same time, as the melody that originally accompanied graceful tango dancers gliding across the floor was now being set to the image of Julia Roberts stuffing her face with pizza! BALLSY--I'll give them credit for that.

There's gorgeous cinematography--which you might expect considering the locales they had to work with--but Eat, Pray, Love suffers from some choppy editing. Had some of those scenic shots been held just a second or two longer, it would have given the film more of a seamless feel. As it is, it looks like the editor was rushing to finish. (The movie runs about two and a half hours.)
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Non-fiction brought to the screen often feels rather plotless--we're so conditioned to those traditional story arcs--but there is growth and transformation here, so if you've got the time and the bucks to spend a year galavanting about the globe, you too may gain some insight into who you are. But unless you can write a blockbuster bestseller about your experiences, that may be a jobless schmuck who is flat broke.

GRADE: B