A MILLION WAYS TO DIE IN THE WEST (2014)

Rated : R

Stars: Seth Macfarlane,  Charlize Theron,  Neil Patrick Harris,  Amanda Seyfried,  Liam Neeson,  Giovanni Ribisi, Sarah Silverman

Director: Seth MacFarlane

Genre: Comedy/Western


If the image of Neil Patrick Harris developing sudden gastrointestinal problems, grabbing a stranger's hat and taking a dump in it right in the middle of the street doesn't tickle your funny bone, then you probably are not cut out for this rootin' tootin' tale of the west that comes from the  flipped-out imagination of Seth MacFarlane, creator of South Park, Family Guy, and the movie Ted.

It's like watching an episode of Family Guy in an old west setting with a potpourri (poopourri?) of similarly outlandish sight gags and politically incorrect stuff that wouldn't fly on TV, but it's all brilliantly done--and whether or not this type of effrontery to the let's pretend "sensitivity" of modern times is your cup of tea, you have to admire the creativity and the pure adolescent joy with which MacFarlane and company have gone about their business in A Million Ways To Die In The West. 

There is so much to like about this movie. From the opening theme, which evokes a Bonanza kind of nostalgia for the old westerns, to a really trippy mushroom induced CGI sequence, to the surprising sweetness of a boy-girl romance that's interwoven between all the gags. 

With a big name ensemble cast, who were all good sports to have signed onto such a project, undoubtedly knowing that A Million Ways To Die In The West was going to take a lot of hits from sourpuss reviewers.

Grade:  A 

JILL'S TAKE

(I guess Tim liked it.) And so did I. In a big way! It's this generation's answer to Mel Brooks' Blazing Saddles. Of course, I've already encountered some negative flak from certain film buffs I know. But I say, "Suck it up and enjoy!" Okay. Maybe there's a bit of overkill with the bean-farting jokes and the pratfalls. But this is a film that I challenge anyone feeling in a bad mood to go and see. You won't feel in a bad mood afterwards, I guarantee it.

What is most endearing is Seth MacFarlane's character. He really nails guys' insecurities in a very original way. (Remember Ted and how real the relationship was between Mark Whalberg's character and his teddy bear?) This guy, whose name Albert is klutzy-sounding to begin with, can't do anything right. Which is a clever way to entice viewers' sympathy. In fact, nobody can do anything right in this film which is why it's so much fun.

Tim has already mentioned the musical score (by Joel McNeely). But I'd like to add that it sets the perfect tone for A Million Ways To Die... before the first undoing is undone.

You can tell that the actors really enjoyed themselves: Liam Neeson as Clinch, the fastest gun in the west; Giovanni Ribisi as Edward, a lovesick puppy, trying desperately not to consummate his relationship with the town whore until they are officially wed; big-eyed Amanda Seyfried as Louise, who dumps Farmer Albert in favor of mustachioed Neil Patrick Harris. The biggest compliment I can pay this film is that I definitely want to see it again. And again. And again...

Grade: A +

DJANGO UNCHAINED (2012)

Rated : R

Stars: Jamie Foxx,  Christoph Waltz, Leonardo DiCaprio, Samuel  L. Jackson, Kerry Washington
Director:  Quentin Tarantino
Genre: Western, Action/Adventure, Dark Comedy
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Quentin Tarantino isn't normally my cup of blood. After a while all that splatter has a numbing effect, and you find your mind wandering to thoughts like: Who gets to clean up all this mess? But Django Unchained grabbed me from the outset with the haunting strains of  its spaghetti western score from Ennio Morricone (he's only the greatest film composer of all time, mind you).  Add to that a discernible plot that I could see developing and I was ready to hang on for the ride.  

Django (Jamie Foxx) is a slave in the deep south before the Civil War who meets his liberator in the personage of Dr. King Schultz (Christoph Waltz) . Schultz poses as a traveling dentist, but he's really a bounty hunter looking for a couple of bad hombres named the Brittle Brothers. Django, having had previous dealings with said scum, teams with the good doctor to ferret them out, and that takes them to the plantation of Calvin Candie (Leonardo DiCaprio) 

Django has another reason to be there, and that's to find his long lost wife, Broomhilda, (Kerry Washington) whom he suspects is one of Candie's cadre of slaves. There the partners meet  the uppity Stephen, (Samuel L. Jackson)  who is something of an indentured butler and  advisor to Candie. Stephen doesn't like what he sees in Django--no no--and that's ATTITUDE he doesn't think a black man should have in these here times--freeman or not. Jackson's portrayal of the cantankerous and ultimately treacherous Stephen should have gotten him an Oscar nod for best supporting butler, or something, along with the four other nominations Django Unchained received. And it demonstrates that racism can and does exist within one's own skin shade as well.    

The prevailing opinion seems to be that DiCaprio was similarly slighted, and he does give a powerful performance, even though its a tongue-in-cheek stereotype of a pompous southern plantation owner. 

Waltz does get a nomination for Best Supporting Actor, and he earned it with his prissy Dr. Schultz. 

Django Unchained contains one of the funniest film scenes I've ever seen...just get ready to spew your soda when the Ku Klux Klan makes it appearance, cuz it ain't what you think it's gonna be! 

You should also be prepared for the "N" word, which is used 110 times. The first time it's a bit jolting, and it's like, okay, so we've bypassed any political correctness considerations and we're going for true realism--because let's face it, that's the term that was in common usage in that era. And Tarantino is nothing if not gutsy. By the twentieth time it popped up, I was flashing back to Dustin Hoffman in Lenny .  Lenny Bruce tried to show people that no word has more power than we are willing to give it,  and what really matters is not the word itself, but the  INTENT behind the word. That, of course,  was  too subtle for the dumbed-down, one-size-fits-all America of today.    

Grade:  B +

COWBOYS & ALIENS (2011)

Rated: PG-13

Stars: Daniel Craig, Harrison Ford, Olivia Wilde, Paul Dano

Director: Jon Favreau

Genre: Western/Action-Adventure/Sci-fi

A bunch of dusty, stinky, tobacco juice spittin' cowboys taking on some invading extraterrestrials who are almost as SCARY looking as LADY GA GA! The premise is, of course, farcical. Or is it? There are ancient drawings on cave walls that look for all the world like aliens from the sky, so there's no reason why they wouldn't have been around in the old west of the nineteenth century to come around and hijack the cowpoke's gold and abduct their citizens. (Why they want either isn't exactly clear, except it is stated that gold is as rare to the aliens as it is to us. Maybe they perceived that someday, in 2011, the price of gold would soar because of a tanking economy, and they could come back and sell it to some of those pawn shops you see advertising on TV.)

Don't try to follow the logic, because Cowboys & Aliens is about bigger philosophical ideas.

Briefly: The outlaw Jake Lonergan (Daniel Craig) wakes up in the middle of the desert, not remembering who he is or why he is there, but he's got this high-tech bracelet attached to his wrist, which he eventually figures out he can use to blast anybody who gets in his face too much. He rides into the dusty town of Absolution, where he has a run in with young Percy Dolarhyde, (Paul Dano) the smart-ass son of Colonel Dolarhyde, (Harrison Ford) the big cattle baron who runs the town. Percy and Lonergan both end up in the hoosegow, though, because the sheriff still wants to do his job. Percy's dad gets wind of it, and he and his boys ride into town, intent upon springing his son. Just when we're getting into how this showdown is going to play out, alien spacecraft come screaming out of the sky and start bombing the crap out of everything.

WHOA PARDNER! Now there's somethin' ya don't see everyday around these here parts! So Cowboys & Aliens, which up to this point had all the makings of a good spaghetti western, (thanks, in large part, to the dynamic music score from Harry Gregson Williams, paying homage to the great Ennio Morricone) goes through a major upheaval-- like when tectonic plates collide--and it becomes a story that, while certainly not original, is timeless and awe-inspiring. It's the story of constantly bickering, warring and feuding mankind banding together for the common good to do battle with an outside adversary. I don't care how many holes in the plot this movie may have...I still find its message to be as inspiring as all "git out." And I challenge anyone with a heart to sit there and not go WOO HOO (at least to themselves) when this ragtag band of cowboys, outlaws, and Native Americans comes thundering through the canyon on their horses, with that music pounding in your ears, hell-bent-for-leather to engage the creepy aliens who, seemingly, would be a superior force, but never underestimate the dog with his back to the wall. Speaking of dogs, there's a lovable one in Cowboys & Aliens--a kind of mascot as it were for OUR team, who will steal your heart.

I couldn't imagine anyone better than Daniel Craig as the tough as nails hero/anti-hero in this one. And Harrison Ford is as authentic as they come as the crusty old bastard Dolarhyde who first wants to roast Lonergan's behind, then becomes his ally.

Yes..I LIKE THIS MOVIE! So to all the other reviewers who picked and nitpicked this film apart...you know where you can kiss it.

GO COWBOYS!

Grade: A -