Showing posts with label Jean-Marc Vallee. Show all posts
Showing posts with label Jean-Marc Vallee. Show all posts

Monday, February 16, 2015

WILD (2014)



Rated:  R

STARS: Reese Witherspoon, Laura Dern, Thomas Sadoski
DIRECTOR: Jean-Marc Vallee
GENRE: Drama

Your mission, should you decide to accept it, is to sit through the first couple minutes of Wild with your eyes closed and listen to the noises wayfaring Cheryl Strayed (Reese Witherspoon) emits. You may think you've wandered into a porno by mistake. Then open your peepers to discover that the caterwaulings of a young woman losing a toenail out in the wilderness because her hiking boots are too small can have a remarkably similar ring to that of someone in the throes of ecstasy. A darkly comic moment in a film about some serious business. The business of life and its winding trails.and travails.  

Strayed is on an eleven hundred mile odyssey from the Mojave desert to the Oregon-Washington border--hiking alone, for the most part, along the Pacific Crest Trail. She's got a backpack that's as big as she is, and nearly as heavy. She struggles to raise herself off the floor and stand upright with it on. (Another richly comic moment.) On day one, she's already telling herself it's okay to quit. But she's got something to prove. To herself. The cumbersome pack is symbolic of the baggage she's carrying.  She's just lost her mother (Laura Dern) to a devastating illness, and her husband (Thomas Sadoski)  to divorce. She's been recklessly engaging in drug use and promiscuous sex. So her journey is one of getting in touch with the real person inside. The person her mother thought she was, or could be. The movie sticks pretty close to Cheryl Strayed's best-selling memoir, which adds to its jaw-dropping effect when you consider that this stuff really happened.   


Along the way, Strayed encounters men in various shapes and sizes who may, to varying degrees, pose potential threats to her security. Even in nature, it's  human nature
that always seems to come into play. And we learn a lot about that in Wild. As in what the human spirit is capable of when pushed to its limits. Witherspoon probably didn't hike any further than necessary to complete her scenes, but she did push herself beyond her normal boundaries in terms of amount of skin bared and hot sexy scenes--in the alley no less! 

 I always admire someone who is willing to lay it all on the line for the sake of their art. 


Grade:  B +



JILL'S TAKE

I find Cheryl Strayed's last name particularly appropriate as she definitely strayed from her intended hiking trail on numerous occasions. And since I'm in a punny mood, I also find one of Reese Witherspoon's other movies (Walk The Line) also ironic. But as far as Wild goes? The story is impressive and Canadian director Jean-Marc Vallée (Dallas Buyers Club) keeps it moving with flashbacks from Strayed's dark past and incredible scenery.  Still, the film proves to me—once again—why I hate camping. Too damn  much packing and unpacking. Over and over again.

Small as her part was, I do think Laura Dern turned in another masterful performance. (Clearly talent runs big in that family!) If by some miracle, she wins this year's Best Actress in a Supporting Role award, it would make a nice touch if her dad, Bruce Dern, nominated last year for Best Actor in Nebraska,presented her with the much-coveted statuette.

Sometimes my ratings are too lenient but this time, probably due to the subject matter, I'm going to be less kind. Frankly, I'd rather watch a Nat Geo Special than sit through nearly two hours of Reese Witherspoon without make-up. Seems to be the thing this year for actresses to expose their un-pancaked faces – Jennifer Aniston in Cake, Julianne Moore in Alice. I prefer 'em beautified.

Grade: C



Saturday, November 23, 2013

THE DALLAS BUYERS CLUB (2013)



Rated:  R

STARS: Matthew McConaughey, Jared Leto,  Jennifer Garner,  Steve Zahn
DIRECTOR: Jean-Marc Vallee
GENRE: Drama


Ron Woodruff was a Texas good ol' boy who was diagnosed as HIV positive in 1986--back when AIDS was a highly misunderstood, feared and maligned disease. Rather than accept a doctor's bleak prognosis, Woodruff became a crusader (without the cape) for alternative drugs and supplements not approved by the FDA, but which showed some promise in treating the disease. And that's how The Dallas Buyers Club came into being. Woodruff became a smuggler--obtaining his meds by hook or by crook from far-flung locales such as Mexico and Japan. He then sold them to AIDS patients who, by all accounts, benefited through his efforts. And he kept himself alive for several more years. 

In The Dallas Buyers Club, Matthew McConaughey plays Woodruff as a foul-mouthed, bigoted, chauvinistic, homophobic, drug and sex addicted redneck rodeo cowboy who wants to take a swing at anybody who slights him or doesn't give him his way. The real Ron Woodruff was reportedly a bit of all that, but everything gets magnified in the movies. McConaughey has the look down pat--he dropped more than 40 pounds for the role--but the real Ron Woodruff had a softer, baby-faced kind of look, and he is remembered fondly by those who knew him. So I suspect he wasn't quite the scowling first-class A-hole portrayed here.  

Jennifer Garner plays Dr. Eve Saks, who becomes Woodruff's ally and friend. Jared Leto is Rayon, a transgender fellow AIDS sufferer who helps turn Woodruff from homophobe to seemingly compassionate advocate. Both characters are composites, and not based on actual persons. 

How much of Woodruff's motivation in forming The Dallas Buyers Club was selfish--to provide an income and keep himself alive--and how much of it reflected a compassionate activism, especially as time went on, is open to speculation. He stated in an interview that his mark-up on the drugs only covered his operating costs.

How much of Matthew McConaughey's motivation in shedding 40 to 50 pounds to be appropriately gaunt looking for this role was motivated by his paycheck, or wanting passionately to tell a compelling story is also open to speculation. Sacrificing for one's art is a noble endeavor, but in this case--messing around with his health in such a manner--I think he's plain nuts. 

But he's a lock for an Academy Award nomination, and most likely wins for Best Actor. (Anthony Hopkins has to consider himself lucky in that all he had to do to become Alfred Hitchcock was wear a fat suit!)

Grade:  B  +


JILL'S TAKE

Is it me or are more and more movies being made these days that are 'based on real people'? I guess Hollywood moguls have finally bought into the idea that "truth is stranger than fiction." Only in their eyes, "truth is more lucrative than fiction." Is it? If The ButlerCaptain Phillips and Saving Mr. Banks are any indication, I'd say it is. Personally, I'd much rather watch something based on reality even if the screenwriters take a lot of liberties with the story line and the main character. No doubt Tim's research about Ron Woodruff being less of an asshole than the Ron Woodruff we see in The Dallas Buyers Club is accurate. But just like I prefer nonfiction movies, I also gravitate towards 'bad boys.' Nobody does bad boy better than McConaughey. And once you get over how incredibly skinny he is in this film, you can't help but love/hate the guy.

Those early days of AIDS are quickly established in the beginning of this movie when a bunch of redneck rodeo riders sit around gay-bashing Rock Hudson who, it has just been announced, has AIDS. (Of course I loved one knucklehead's reaction: "Who's Rock Hudson?") It's a poignant film and often painful to watch. And the person I predict will get an Oscar nod is Jared Leto who, aside from being a brilliant actor, is an accomplished musician and the main songwriter for the rock group Thirty Seconds to Mars.

I'm with Tim on this one. It's worth the price of admission—and then some.

GRADE: B+