EVERYBODY KNOWS (2019)

 

Rated: R

STARS: Penelope Cruz, Javier Bardem, etc. etc.

DIRECTOR: Asghar Farhadi

GENRE: Art House/International Drama

Everybody Knows, from Iranian director Asghar Farhadi (A Separation, The Salesman) is an impressive take on family dynamics, Spanish style, but with a boatload of characters, it can be a bit challenging. 

I know that Jill, my dastardly partner in crime here, doesn't like to have to follow too many characters, and I'm the same way. Give me three or four principal players and a fairly straightforward plot--a small subplot is fine--and surprise twists are welcome. Beyond that, what's left of my addled brain might short-circuit.

Everybody Knows does give you a big plot twist in the middle, and it drives the story forward from that point.

Laura (Penelope Cruz) has traveled from Argentina to Spain with two kids in tow to attend her younger sister's wedding. All those bodies come in handy for the celebration scene--singing and dancing and boozing with a sense of abandon in a manner that seems to be endemic to certain cultures, and which I greatly admire. 

Later, when Laura's teenage daughter, Irene, is abducted in the middle of the night, the actors get to shine and demonstrate their full range of emotive talents. 

Paco (Javier Bardem) runs a nearby wine producing estate, and though they are married to other people, Paco and Laura have a long-standing history as lovers. 

Messages from the kidnappers point to the possibility of the abduction being an inside job, as family members grow suspicious of one another, and long buried secrets are revealed. 

What will keep you glued to Everybody Knows is that once you've started along the path of the mystery, you just have to follow along to see where it leads. 

On Netflix.

Grade:  B 

JILL'S DASTARDLY TAKE

Yep. There sure were a lot of characters in this film. But I give the director kudos for making those family scenes seem incredibly authentic. I felt like I was family too. But it was really hard for me to keep track of who was who and what was going on. In fact, I must confess that in the end, I still didn't know who dunnit.

That said, when Javier Bardem is onscreen, I could watch him sleep and be impressed. He has a certain presence, a charisma that can't be denied. Whether playing a primo villain (No Country For Old Men) or a paralyzed poet (The Sea Inside), he is a spectacular actor.

And his real life wife, Penelope Cruz, ain't bad, either.

But the actor in Everybody Knows that I thought deserved special mention is an Argentinian named Ricardo Darin (no relation to Bobby). The balance he struck between self-loathing and dignity, as Laura's loser husband, was outstanding. And I loved his snowy eyebrows!

Still, I'm not comfortable watching movies in my living room. It doesn't seem right somehow. But it seems even less right to be venturing out to an AMC theater--August 31^st is when they're scheduled to re-open-- wearing a mask during the movie. I guess I'll just have to get a bigger TV. 

Because the end left me confused, unsatisfied and feeling terribly stupid, I'll have to give Everybody Knows a qualified thumbs down.

Grade: C

 

  

 

THE COUNSELOR (2013)

Rated: R

Stars: Michael Fassbender,  Javier Bardem,  Penelope Cruz,  Cameron Diaz,  Brad Pitt

Director: Ridley Scott

Genre: Crime Thriller/  Drama

Jolly good, then. Let's get to it. Most of the characters in The Counselor are assholes. No, make that stupid assholes. We know that early on because two of them, a drug mogul and his raunchy girlfriend--Javier Bardem and Cameron Diaz--keep cheetahs (with pretty collars) as pets. These folks have nothing to recommend them to any higher authority as having played the game of life with a whit of conscience, decency, or human compassion. And I've always found it strange (because the mentality exists in real life) that people would risk their freedom, and more often than not their lives, for illicit material gain--when they already have fresh air, clothes on their back, food on the table, a roof over their head, a nice dog (or girlfriend) to lick their face...what's missing here besides your sick, twisted obsession to prove to yourself that you are unworthy of happiness?  

Central to this charming tale of unmitigated greed is the defense attorney known only as "Counselor" (Michael Fassbender). He buys his girlfriend (Penelope Cruz) a 3.8 carat diamond ring, then falls in with a big-time drug ring to finance it.  One would think that it takes some smarts to become an attorney . There are multiple times when Counselor is asked if he's sure he wants to get involved in all this nasty business, and he never flinches. Ugh. Big ring make need for big money. Mmmm...what possibly go wrong?

Of course, things start to spiral out of control in short order and the noose begins to tighten around Counselor's neck (a pun I won't spoil if you are indiscriminate enough to plop your money down for this) as the Mexican drug deal he is counting on to save his financial ass goes awry. And somebody has to pay.

Along the way, The Counselor pauses now and again for some pretentious philosophizing about life. The movie is getting slammed for that more than for the fact that it's difficult to keep straight who's connected to whom and just how and why.  Stuff like when Bardem's character, Reiner, says: "Are you really that cold?"  And sleaze-squeeze Malkina (Carmen Diaz) replies: "The truth has no temperature."  The screen heats up, though, when Diaz demonstrates the fruits of her workout ethic by doing  the splits on the windshield of Reiner's Ferrari--grinding panty-less as he observes from inside. (See artist rendering above!)  Later, when relating the story of the incident, he states: "That kind of thing changes you."

A stellar cast will draw filmgoers to this one just out of curiosity. But Cormac McCarthy's bleak and cynical script (his first screenwriting effort) may turn me into more of a misanthrope than I already am. (For the record, McCarthy's The Road was  the most soulless and depressing book I've ever read. )

Penelope Cruz provides some sweet steaminess. Javier Bardem adds some darkly comic relief. Fassbender is a clueless wonder. Carmen Diaz has an evil-looking face to begin with--she better guard against getting typecast.  Brad Pitt is a drugstore cowboy type who may be the most likable character in the movie.     

But none can save The Counselor  from going down.

Grade: D

JILL'S TAKE

Never mind all the things Tim has already pointed out—a disjointed script, red herrings that never get resolved, unsympathetic characters—my main beef with THE COUNSELOR is not about the film per se. It's about the actors—damn fine actors, too—who let themselves be talked into appearing in such mindless drivel. I can understand why Michael Fassbender might say yes to this turkey, given his sexual track record in "Shame." The opening scene between him and Penelope Cruz (Javier Bardem's wife in real life) outdoes itself in the oral sex department.

But it's downhill from there.

I was so confused by who was gunning for whom that I found myself hoping the cheetahs would make a meal out of at least one of these gangsta narcissisistas. About the only good thing I can say about this endlessly talky film is....I'm thinking, I'm thinking!

I liked Carmen Diaz' fake silver fingernails.

Grade: F

Now showing at home: BROKEN EMBRACES (R)

Stars: Penelope Cruz, Lluis Homar, Jose Luis Gomez, Blanca Portillo, Tamar Novas, Ruben Ochandiano

Director: Pedro Almodovar

One morning film maker Mateo Blanco, (Lluis Homar) who lost his sight in an accident and now assumes only his alter-ego's persona of writer Harry Caine, learns that his old acquaintance, industrialist Ernesto Martel (Jose Luis Gomez) has died. Blanco's muted reaction belies a world of repressed emotions--a world that he brings to the surface again when he recounts a tale of romance, intrigue, and betrayal to his young assistant, Diego (Tamar Novas).

Broken Embraces, the latest gem from Pedro Almodovar, (Volver, All About My Mother) alternates between flashback and present day mode, and tells the story of Blanco's star-crossed affair with the stunning Lena (Penelope Cruz). An aspiring actress, Lena is the mistress of the much older Martel when she lands a role in Blanco's movie. Martel senses that she may slip away from him, so he offers to produce the film, which gives him an illusory but renewed sense of control.

As Lena's attraction to director Blanco grows, a torrid romance develops, (And TORRID could only describe their bedroom scene together). As we will discover, the cuckolded Martel will resort to nearly any kind of treachery to maintain his tenuous grasp on the fiery beauty.

One subplot involves Martel's gay son, who, under the guise of making a documentary about the filming of the movie, spies upon Lena and provides evidence of her betrayal to his father. Ernesto Jr. (Ruben Ochandiano) also figures in the present day drama of Blanco's life, when he tries (for his own reasons) to enlist the one time noted film maker to create an expose film about his dad.

Also figuring in the rich tapestry plot of Broken Embraces is Blanco's agent and former production assistant, Judit, (Blanca Portillo) who is Diego's mother. She was around when the love triangle was heating up. Keep your eye on her, as she will come out of left field near the end to drop some bombshell revelations that will fill in the blanks about all that transpired back then.

There is much to recommend about Broken Embraces: Intriguing plot, fine acting, Penelope Cruz's bare breasts, and a sound track by Alberto Iglesias that further establishes the mysterious Hitchcock-esque feel of the movie. (If you're too young to be real familiar with Alfred Hitchcock, think Brian De Palma.) Oh, and there are great lines like: "Everything has already happened to me--all that's left is to enjoy life."

In Spanish with subtitles.

GRADE: A

VICKY CRISTINA BARCELONA (now playing at home where you can lounge in your funky ripped underwear)

Vicky and Cristina are two sexy young Americans, on the loose in Barcelona for the summer in this Woody Allen offering that explores the "ins and outs" of seduction. Cristina (the lovely Scarlett Johansson) is a free and easy bohemian type, while Vicky (the equally lovely Rebecca Hall) exudes rationality, practicality, and common sense. At least at the beginning.

There are many ways to be seduced, not the least of which is the sound of Spanish guitars in the romantic milieu of Barcelona. Enter the ultra-persuasive Juan Antonio, (Javier Bardem) a smoldering artistic type who, upon meeting the two girls, unabashedly proposes that they join him for a threesome with the line: "Life is short, life is dull, life is full of pain." (Geez, I wish I'd thought of that when I was dating Barbara Jo Wilkerson!)

What ensues is an unpredictable love triangle. The heat is turned up further when Juan Antonio's spooky ex-wife, played convincingly by Penelope Cruz, re-enters the picture and turns the triangle into a quadrangle, with amusing complications.

Allen's dialogue is so distinctively "Woody" that one cannot totally avoid picturing the writer/director mouthing those words instead of his characters, which can really screw with your head when it's one of the beautiful women speaking!

One of the marks of a good movie is that you don't want it to end. I was thoroughly seduced by Vicky Cristina Barcelona, and I bet you will be too.

Cigarette?

Grade: B+


TIMMY'S TIDBITS: Scarlett Johansson had been cast in the 2005 film Thumbsucker --but dropped out before filming started. (Unfortunate...there would have been something quite sexy about watching Scarlett sucking her thumb!)

A Scarlett quote: "I don't think human beings are monogamous by nature."

Penelope Cruz dated Tom Cruise for about three years. (Had they married, she wouldn't have had to change her name.)

Penelope likes to have stray cats around. After filming All The Pretty Horses in 2000, she became a vegetarian.

A Penelope quote: "Sometimes I think I'm an Italian trapped in a Spanish woman's body."