Showing posts with label Natalie Portman. Show all posts
Showing posts with label Natalie Portman. Show all posts

Saturday, April 23, 2016

KNIGHT OF CUPS (2016)



Rated: R

STARS: Christian Bale, Brian Dehnehy, Cate Blanchett, Natalie Portman, Freida Pinto, Teresa Palmer, Isabel Lucas
DIRECTOR: Terrence Malick
GENRE: Drama/Romance


To frame it in language that my uncle Lemuel back in Nebraska would find user friendly: Terence Malick makes weird movies that some consider to be absolutely brilliant, while others just shake their heads and say:  Shit...I'll never get  those two hours back!

Case in point: Tree Of Life.  It was lauded as a masterpiece by many and was nominated for three Academy Awards. I found it to be disjointed and tedious. However, if I were to view it a second time, I might get a better grasp on what Mr. Malick was trying to convey. The same can probably be said for his latest offering, Knight Of Cups.


The "plot" is as follows. Rick (Christian Bale) is a Hollywood writer who drifts in and out of reverie with six pivotal women in his life--played by Imogeen Poots, Cate Blanchett, Freida Pinto, Natalie Portman, Teresa Palmer, Isabel Lucas, and Brian Dennehy. WHOOPS...Dennehy plays his father...heh heh...with whom Rick has flashback encounters designed to give us an inkling of past tragedies.


The characters in Knight Of Cups speak solely through their own interior monologue--in other words, they are talking to themselves. The action moves from one dreamlike sequence to another, through the kaleidoscopic cityscapes and the "beautiful people" of L.A. and Las Vegas--to the beach, to the bedroom, to the boredom (my own).Through all of this cinematically pretty navel-gazing, Christian Bale, as Rick, is trying to figure out who he is...or what his life is all about...or maybe what he is doing in this film in the first place.


It's a lot of weirdness, Uncle Lemuel (which I'm not averse to), but after awhile it gets to be too much of the SAME KIND of weirdness--like watching Freddy Krueger come back to life every damn time they kill him, or listening to Marco Rubio up on the debate stage!


Maybe Malick is making a statement about the dreamlike nature of life. That I can grasp. You sit in your living room gazing at a chair where somebody sat weeks, or months, or years ago and you wonder...were they ever really there?


I didn't love Knight Of Cups. I didn't exactly hate it (it's smattered with " T " and "A"). But it's true. I'll never get those two hours back.


Grade: C



JILL'S TAKE

I suppose after seeing Remember, a movie I felt was one of the best I'd ever seen, it's only fitting that the next one should be – bar none -- worst movie I've ever seen! I have very little patience with stories that have no discernible story. Obviously the producers of this turkey knew what they were dealing with and decided (after seeing the final cut and tearing their hair out) to make the trailer look as if it was a triangle love story between Bale, Blanchett and Portman. That's what I thought I was going to see!

Instead I was subjected to long silences, Tarot card headings, self-indulgent soliloquies and a film that seemed to go on forever. The only people I think might get something out of this meandering mishmosh are the 420 crowd. Warning: Take a BIG toke before entering the theater...

Grade: D ----

Wednesday, December 29, 2010

BLACK SWAN--2010






Rated: R

Stars: Natalie Portman, Vincent Cassell, Mila Kunis, Barbara Hershey, Winona Ryder
Director: Darren Aronofsky
Genre: Psychological drama

A promising young ballerina on an irrational quest for perfection inexorably descends into fantasy and madness in Black Swan. And who or what is responsible for Nina's (Natalie Portman) tenuous hold on reality? Is it her manipulative, controlling mother(Barbara Hershey) ; the demands of a highly competitive (and cutthroat) profession that eats 'em up and spits 'em out with no remorse; or could it just be the silliness of dancing in that punishing and unnatural way that drives young women crazy?

We see every shift on Ms. Portman's emotionally expressive face--and that's because the camera is IN her face for most of the dancing shots, so as not to show the footwork of an actress who obviously is not a professional ballerina, though she did have some extensive training in preparation for the role. It always irks me a bit when you see the star in the close ups and then the stand in doing the more complicated moves when the camera pulls back, and it's really transparent that this is what is occurring.

But other than the aforementioned little bugaboo, Black Swan--billed as a "psycho-sexual thriller"-- is one that will keep you on your toes throughout. Is it a psychological drama? Horror flick? Erotic thriller? Hallucinatory fantasy? It's all that and a bag of chips, and a near masterpiece to boot.

Portman gives a heady performance as the driven, tightly wound Nina. Other notable renderings come from: Mila Kunis, as Nina's sexually provocative rival and nemesis. Vincent Cassell--the smoldering, unorthodox ballet director (he uses sexual harassment to motivate his dancers to "loosen up"). Barbara Hershey as Nina's creepy, controlling stage mother. And Winona Ryder as an aging star who is involuntarily being put out to pasture.

Director Darren Aronofsky (The Wrestler) knows how to ratchet up the intensity increment by increment, leading to a fervent climax the likes of which you normally aren't going to experience in a movie theatre (unless you're Pee Wee Herman, of course!) A film that gives new meaning to the phrase: DAMN...MY FEET ARE KILLING ME!

Grade: A-