PROMISED LAND (2012)

RATED: R

Stars:  MATT DAMON
           JOHN KRASINSKI
           FRANCES MCDORMAND
           ROSEMARY DEWITT
           HAL HOLBROOK

Director: Gus Van Sant
Genre: Drama


So Steve (Matt Damon) and his partner in crime, Sue, (Frances McDormand) roll into the quaint farming community of McKinley as representatives of a big natural gas juggernaut (so big it's called "Global") that wants to get the local rubes to sell the drilling rights to their land so that the company can come in and start fracking everything up in the name of big business taking whatever they want. (Fracking is the colloquial term for industrial gas drilling.)  The shekels the company offers for drilling rights make the economically challenged locals' eyes light up with dollar signs and they forget about those possible unfortunate side-effects of  poisoning the air and water. (Like those drug commercials on TV that start out by telling you the benefits of the drug in the first ten seconds, then the next forty-five seconds are devoted to a laundry list of side effects that could be so harmful and debilitating--even fatal--that no one in his right mind would even consider taking that poison--then the last five seconds they say in a smiling voice: SO ASK YOUR DOCTOR ABOUT FRAXIL !  And people do...because they are insane.)

But it ain't gonna be so easy to roll over the yokels  in Promised Land  because at least one resident didn't get his education behind the barn.Former engineer Frank Yates, (Hal Holbrook) teaches science at the local high school, and he wants the town to put  the proposition to a public vote (united we stand--divided we fall off the bar stool one by one.)

Then along comes Jones in the form of Dustin Noble, (John Krasinski) an environmentalist who blows into town like a foreboding wind and begins to make waves. Steve, who honestly seems to believe in what he's peddling--at least at first--and Dustin are ready made rivals  Promised Land  is clearly nudging you to root for the good guy Dustin in the name of things most of us hold sacred, like clean air and water, but the movie is magnanimous enough to present the other side as well to anyone who is listening. That is until the out-of-left-field plot twist near the end that gives a surreal good versus evil dynamic to the proceedings--it's the conflict between those who have no conscience and those who allow their conscience to get the best of them--but it feels like they are beating us over the head with it.

Damon and Krasinski play off of each other well, as each tries to win over the hearts and minds of the townsfolk. Mcdormand's character has been around the block a time or three--she's just a gal who is more concerned about getting along and providing for her family in the short term, and doesn't want to think about long-term implications. (Like most folks, it seems.) Rosemary DeWitt gives a nice turn as Alice, a local school teacher who is attracted to both Steve and Dustin, exemplifying the film's theme of inner conflict.

In the end, Promised Land is likely to create a few more cynics in a society that may already be too cynical for its own good.

Grade:  B
  

LINCOLN (2012)

Rated: Pg-13

Stars: Daniel Day-Lewis,  Tommy Lee Jones,  Sally Field,  James Spader,  David Straithairn, John Hawkes,  Hal Holbrook 
Director: Steven Spielberg
Genre: Historical Drama

I felt like Steven Spielberg's latest epic, Lincoln,  was dragging a bit in the early stages because I'd gotten the impression from the previews that this was to be a sweeping drama--with battle scenes and wailing and gnashing of teeth from the womenfolk pining for their men away in the war. That's because I hadn't yet grasped that Lincoln was to be a film of limited scope. An intensely personal drama about the 16th president of the United States in the latter part of his second term in office, and his fight to get the thirteenth amendment to the constitution through congress--abolishing slavery once and for all.

Indeed, the appalling carnage of the Civil War is given scant attention. A brief battle scene in the beginning, and the aftermath of a battle near the end. But an artist knows just how much and what shade of a certain color to use, and Spielberg is an artist. Thus the spectre of the president riding through a battlefield with the myriad corpses of young men desultorily draped across one other is one of a number of goosebump-inducing  scenes in the movie, and imparts to us the primary truth of any war--and that is its futility.

Not to imply that there isn't spectacle here. The spectacle is provided by the costume and makeup department, as much of the high drama in Lincoln occurs in the chambers of the House of Representatives, as the debate over what was arguably the most monumental decision that body has ever taken up for consideration rages. These dudes are nothing if not authentic looking, with their mutton-chop cheeks and hair down to there. (Makes me think about back in the day when an employer tried to get under my skin about my beard, implying that guys who wear beards are "hiding something."  I'd have liked to have seen him say something like that to old Honest Abe. HE'D SQUASH YOU LIKE A BUG!)

  There are more Oscar-worthy performances in Lincoln than you can shake a porkpie hat at. Daniel Day-Lewis melts and merges into the character of the president like butter on a hot baked potato. His Lincoln is an avuncular man who relates humorous anecdotes to get his point across, and sometimes to ingratiate himself with members of the opposite political party (the democrats) to sway them over to his side. Observing that backroom deals where someone is promised some kind of perk or promotion in exchange for his vote has always been going on in our government is sort of strangely...comforting.    

Daniel Day-Lewis is a lock for an Academy Award nomination for Best Actor, and I wouldn't be surprised if  Tommy Lee Jones--as representative Thaddeus Stevens--gets a nod for Best Supporting Actor.

Sally Field is also superb as the president's wife, though if the real Mary Todd Lincoln had been as comely as Ms. Field,  I doubt that their relationship would have been quite as stormy as it was. A pretty face can go a long ways toward inducing a man to put up with a little craziness.    

Lincoln is a film that serves to remind us that history has judged (and will judge) harshly those who attempt to deny basic human rights--be it based on race, gender, or sexual preference. 
      
Grade: A

WATER FOR ELEPHANTS--2011

Rated: PG-13

Stars: Robert Pattinson, Reese Witherspoon, Christopher Waltz, Hal Holbrook

Director: Francis Lawrence

Genre: Drama

The stage is set for high melodrama in the film adaptation of Sara Gruen's bestselling novel, Water For Elephants.

Told in flashback mode, a ninety-something guy named Jacob (Hal Holbrook) relates the story of his youthful exploits in the circus back in the Great Depression of the 1930s. The young Jacob (Robert Pattinson) is one exam away from graduating from veterinary school, when a family tragedy sets his life off-kilter and alters his destiny. He hooks up with a marginally run circus and learns to roll with the punches (literally) of life under the big top.

A little fudging of the truth gets him hired on as the outfit's veterinarian, by the (as we will see) amoral and sadistic ringmaster, August (Christopher Waltz). August treats his animals and his wife, Marlena, (Reese Witherspoon) with the same heavy hand. The Harlow-esque Marlena is steamy, and just low-brow enough to have been attracted to someone like August in the first place. But she has compassion for the animals, and a forbidden attraction between her and Jacob begins to develop.

Enter Rosie--a highly trained elephant who may be the most talented performer of this entire cast. August needs a new starring act to keep his near-failing operation going, and Rosie fills the bill in playful and adorable fashion. But August's methods of keeping Rosie in line are abusive, and hard to watch (even though we know the animal's not really being beaten for the movie--and I sat through all of the credits at the end just to see the statement that the animal action was monitored by the American Humane Association, and no animals were harmed during filming). What ensues is a roaringly dramatic climax to Water For Elephants that was easy to see coming, but that made it no less satisfying when it arrived. We can think of it as "poetic justice."

There is an amazing scene of chaos near the end where animals and people are stampeding every which way--an astonishing bit of choreography--and I'm still in awe of how they pulled it off!

Christopher Waltz (Inglourious Basterds) brings some depth to the character of August, to the point of where we can ALMOST dredge up some sympathy for the poor deranged bastard (spelled the correct way!)

Reese Witherspoon, who has that naturally wholesome looking face, shows us another side with her somewhat jaded, been-around-the-block Marlena.

The Most Wholesome award here goes to Pattinson, convincing enough as the fresh-faced good guy who tries to do the right thing in some emotionally charged situations.

While Water For Elephants is set in the thirties, I think you should know that circus animals are cruelly mistreated even today, and if you're a fan of the circus, I hope you will THINK about the price these wild animals pay--not the least of which is the loss of their freedom and dignity--just for the sake of providing circus entrepreneurs a living, and to give you a couple of hours of diversionary entertainment. If you think I'm exaggerating, I can direct you to plenty of web sites that contain actual photos and explanations of what goes on. I also encourage you to support some of the cruelty-free circuses, which feature human acts only--an increasing trend as awareness of the sad truth about animal-act circuses continues to grow.

Grade: A -