Showing posts with label Miguel Arteta. Show all posts
Showing posts with label Miguel Arteta. Show all posts

Wednesday, June 28, 2017

BEATRIZ AT DINNER (2017)






Rated: R

STARS: Salma Hayek, John Lithgow, Connie Britton, Jay Duplass, Chloe Sevigny, Amy Landecker, David Warshofsky
DIRECTOR: Miguel Arteta
GENRE: Dark Comedy/Drama


We live in a politically polarized nation (I'm talking about America--if you are outside the U.S., I don't know at this point whether to congratulate you or send my condolences). So it was inevitable that a film such as Beatriz At Dinner would come along--prompting us to titter at ourselves in grin-and-bear-it fashion, while simultaneously providing plenty of food for thought.

Salma Hayek is riveting as Mexican immigrant Beatriz--a massage therapist/ holistic healer with a deep empathy and love for all critters great and small. Her car breaks down during a professional visit to her client/friend Cathy (Connie Britton), and she becomes an unscheduled guest at the dinner party being thrown that evening for an ensemble of perfectly shallow upscale southern Californians--headed by Doug Strutt (John Lithgow), a sociopathic land developer and big game hunter.

Things start out with polite interaction between Beatriz and the other guests, though they reveal their vacuity with comments like "I love Cancun" while Beatriz is relating a story about her early life in Mexico.

The fireworks begin when Strutt passes around a digital image of himself posing beside a dead rhino that he has gunned down somewhere in Africa. Beatriz sees red and fires off a verbal barrage--throwing his phone at his head to emphasize her point. Her righteous indignation seemed to win over the audience in the theater. But then director Miguel Arteta and screenwriter Mike White felt the need to portray her as someone becoming rapidly unhinged from that point forward (out of character from everything she stands for), as if to say we don't want to take sides between the Trump and the Bernie factions, so let's give each something to roll their eyes about.

And while Lithgow's villainous Doug Strutt grabs center stage the way he grabs up land for shady development deals, it is Connie Britton as Cathy who gives the most layered performance as the "friend" who has nothing but praise and admiration for Beatriz in the beginning, then shifts ever so subtly as things go along to reveal herself, in the end, as being just as shallow and ruthless as the people she hangs out with.

As we approach the Fourth Of July, I recommend you see Beatriz At Dinner. The incendiary battle of ideologies embodied by Hayek and Lithgow's characters is worth the price of admission--though the ending will leave you up in the air (a pun) as to what really happened and what it means, as well as a feeling of being somewhat underfed by the mere 77 minutes of running time.

Grade :  B

JILL'S TAKE

Beatriz At Dinner is not a film for the faint-hearted. It will leave you with a bitter taste in your mouth no matter which side of the political seesaw you are teetering on. Salma Hayak's performance is as authentic as they get. But to sound like the superficial ladies at that dinner party, I might also point out that Salma's 'put on a few' since her Oscar-nominated performance in Frida. ("That Mexican food will do it to you every time," those ladies might whisper, cattily.) 


What I thought was very well scripted was how blissfully unaware the guests were of their own prejudices and bigotry. It reminded me of my dad when I chose to marry a Jew. His classic response? "Why, some of my best friends are Jewish!" When I tried to point out that his statement was making "them" different than "us," he replied: "But they are different! They give more money to public institutions, they respect education more!" I shrugged my shoulders and prayed that he wouldn't greet his new son-in-law with that some-of-my-best-friends line. (Which he did within five minutes.) I felt that this movie depicted that kind of insular ignorance extremely well. 


Acting kudos go out to John Lithgow. Big time. Having recently seem him portray Winston Churchill in the Netflix series "The Crown," I found it remarkable how such a tall actor could play such a short, squat man in his final years as England's prime minister. And do it so convincingly.


But the film took a turn for the worse towards the end. And what really pissed me off was the happily-ever-after images at the end. I haven't given anything away here but if you see Beatriz At Dinner, you will know immediately what I'm referring to. You don't do sad and then tack on happy. Life just doesn't work that way.


Grade: C +






Thursday, July 21, 2011

CEDAR RAPIDS (2011)


Rated: R

Stars: Ed Helms, Anne Heche, John C. Reilly, Isiah Whitlock, Jr., Alia
Shawkat, Sigourney Weaver, Kurtwood Smith, Stephen Root

Director: Miguel Arteta

Genre: Dark Comedy


Cedar Rapids, IOWA
--where I lived and worked for a time WAY back in the day. The folks there were--shall we say--not terribly hip. As a young dude, I sported longish hair, and the people would literally hang out their car windows, pointing and laughing at me as I crossed the street! (DUDE LOOK LIKE A LADY...HHAWW!)

Ironic that the same town of today (which appears to be all built up and grown up...I didn't recognize any of it) serves as a metaphor for sophistication in the ultimately sweet, and bittersweet comedy, Cedar Rapids. Sophisticated in comparison to Brown Valley, Wisconsin, anyway--where insurance agent Tim Lippe has come from to attend the big convention.

I had to wonder if Ed Helms, who plays Tim as the ultimate country rube, didn't watch Big with Tom Hanks as many times as I did. Hanks' character is literally a 13 year-old trapped inside an adult male's body. Tim Lippe has no such excuse to fall back on. He's a bona fide adult with the emotional maturity of a 13 year-old. Exactly why, we're not sure, because not everyone in Brown Valley is quite as naive. Take, for example, Tim's middle-aged bed buddy, Macy, (Sigourney Weaver) who has been around the block a time or three (she was once his 7th grade teacher!)

Tim's boss, Bill Krogstad (Stephen Root) sends him off to the insurance convention in hopes of capturing the coveted Two Diamonds Award, an honor previously bestowed upon the local agency for a few years running. When Tim lands in "the big town," the first person he meets is a hooker (Alia Shawkat) who is working the hotel circuit. More culture shock follows when he meets his African-American roommate, (Isiah Whitlock, Jr.) and the third roomie--the wild, crazy, and profane Dean Ziegler (John C. Reilly). And Tim will soon fall in with Joan, (Anne Heche) a jaded married chick who approaches these conventions as her one chance to taste some freedom, and a little bit of recklessness. And reckless the exploits of these four will become-- as wild parties, booze, drugs, and hanky-panky begin to transform the straight-laced insurance salesman into something he's not sure he ever wanted to be.

Good performances all around--though people like Tim Lippe exist only in a Norman Rockwell world, so in that respect, Helms' portrayal is over the top when compared to the other characters, each of whom COULD be real! And of all the quirky, colorful personalities in Cedar Rapids, I think I like Bree, the hooker, the best. (No reflection on my personal life--heh heh.) She may be the most pragmatic of the bunch, and she dispenses the film's ultimate nugget of wisdom, about the compromises we all make just to get by.

Cedar Rapids is a film that will linger with you like the faint trace of some intoxicating perfume.

And for a dose of reality, I just read that prostitution is a growing problem in the city. PIMPS AND HOOKERS...WOW! Guess I could walk those streets now with my pony tail and see people who look a lot weirder than me!

How times change.

Grade: B +