Showing posts with label Elizabeth Olsen. Show all posts
Showing posts with label Elizabeth Olsen. Show all posts

Tuesday, April 5, 2016

I SAW THE LIGHT (2016)



RATED: R

STARS: Tom Hiddleston, Elizabeth Olsen, Cherry Jones, Wren Schmidt, Maddie Hasson, Bradley Whitford

DIRECTOR: Marc Abraham
GENRE: Bio-pic


My standard line with Jill whenever she wants to drag me to a bio-pic of a famous person is: I know how it came out. Meaning that I, like most, am familiar with the subject's life, and don't really care to sit through a retelling that plays it loose with the facts for the sake of creating a more compelling story (which most of them do).

In I Saw The Light, director Marc Abraham has chosen to tell a LESS compelling story of the life and times of country music icon Hank Williams--playing down his subject's glory in order to hone in on his pain. In his brief tenure, Hank Williams had 35 songs that were on the country music top ten charts--eleven of them shooting to number one! "Your Cheatin' Heart," for one, has been covered by too many artists to count. But the music is given short shrift. We see Hank (Tom Hiddleston) in a few stage performances--and the music sounds good--but that's the only hint we get of the prolific creative genius the man possessed.

I understand that Abrahams is trying to tell a more personal story--of Hank Williams' struggles with the demons of alcoholism and his up and down relationships with women--but these are often the unfortunate side-effects of unfettered brilliance. There are no fist-pumping inspirational moments here, and you know ol' Hank must have had a few. Instead, I Saw The Light is an unrelenting portrait of an individual bent on self-destruction. The gloomy inevitability of it is what had me glancing at my watch about half way through.

Part of the problem is roots. Tom Hiddleston is a good enough singer, but he's British, and his attempts to master Hank Williams' trademark twang yield mixed results. That's a difficult assignment, unless you come from where Hank came from, and I'm not referring solely to geography. Fortunately for Hiddleston, his acting--the way he inhabits the character--is what shines here. It also helps that he's pretty much of a physical dead-ringer for his subject.

Elizabeth Olsen, another fine actor, plays Williams' headstrong first wife, Audrey. The performances are not the problem. The problem with I Saw The Light is that we are subjected to too much of the gloom of Hank Williams' story, and not enough of the light.

Grade:  C
  
JILL'S TAKE

Before going to see I Saw The Light,I started thinking about all the Brits who've played famous Americans: David Oyelowo as Martin Luther King in Selma, Anthony Hopkins as Richard Nixon in Nixon, Christian Bale as money mogul Michael Burry in The Big Short. And let's not forget about famous American comic book characters. Who's the latest Superman in Batman v Superman: Dawn of Justice? Henry Cavill. A Brit, of course!

Granted Tom Hiddleston is the spitting image of Hank Williams which works in his favor. His tall lanky build looks delicious in those hokey cowboy outfits and rakish Stetson. Hey! When you think about it, we have a living country legend, as prolific as Williams was, who's Australian: Keith Urban. (Go figure!)

But the movie was a definite letdown. I was expecting more drama, i.e. bar fights, drunken rages, a sex scandal here and there. What I got instead was a mini concert of Williams' hits. Enjoyable, yes. But those twangy tunes don't make up for a complete lack of conflict. For me, the biggest shocker came at the end of the film when I learned that Hank Williams was only 29 when he died.

I wish I had liked it more. But I'd say you're better off buying a used CD of his biggest hits. Some really marvelous lyrics there!

Grade: C -

Saturday, November 19, 2011

MARTHA MARCY MAY MARLENE (2011)


Rated :R


Stars: Elizabeth Olsen, John Hawkes, Sarah Paulson, Hugh Dancy

Director: Sean Durkin

Genre: Mystery-Suspense/Drama

Writer/director Sean Durkin had the opportunity to play up some of the more positive aspects of communal living--such as cooperative effort, family values, and...uhh...you never have to look far to find a babysitter! Instead, in Martha Marcy May Marlene he gives us the stereotypical cult with a charismatic, sociopathic leader--a la Charlie Manson--who lures wayward waifs away from their homes with a bunch of double speak and new-age mumbo jumbo.

When we join young Martha, (Elizabeth Olsen--who bears a striking resemblance to her famous older sisters, Mary Kate and Ashley, but with more meat on her bones) she is making her getaway from said commune in the Catskills. She calls her sister--the only family she has left--and in a halting conversation, is torn between wanting to return to normal society, or going back to the farm. And therein lies the crux of the film. When Martha moves in with sister Lucy, (Sarah Paulson) and her prickly husband, Ted, (Hugh Dancy) the emotional conflict she experiences builds into something progressively darker for the audience, as the events of her time with the clan are juxtaposed against the present in continual flashback/flash forward fashion. It's an effective device. Martha Marcy May Marlene is like a story of parallel universes, where similar kinds of events occur in very different ways.

Martha--who also goes by the other names in the title at one time or another--is a haunted and deeply disturbed young girl. Not only by what has previously occurred, but by the psychological hold the cult and its messianic leader (John Hawkes) still maintains over her.

A word of caution. Don't blink or you'll miss the ending. Some will no doubt be disappointed by it. But the more I think about it, it may be perfect. It's creepy and foreboding...I'll say that much.

THE FINAL WORD

Good performances all around, especially from Elizabeth Olsen in her first starring role. She strips her soul bare, and strips off her clothes.

WHAT MORE COULD WE ASK?

And though I'm a little disturbed (but probably not as disturbed as Martha) that there may be an intended anti-naked hippie message here, (my roots, man...my roots) Martha Marcy May Marlene obviously wouldn't work without it. So I'm willing to forgive.

Peace, brother.

Grade: B +