Showing posts with label Vincent D'Onofrio. Show all posts
Showing posts with label Vincent D'Onofrio. Show all posts

Friday, March 23, 2018

DEATH WISH 2018



Rated:  R

STARS: Bruce Willis, Vincent D'Onofrio, Elisabeth Shue, Camilla Morrone
DIRECTOR: Eli Roth
GENRE: Action-Adventure/Drama

Remakes are seldom as good or have the same pizazz as the original (a notable exception was The Thomas Crown Affair). And if we're going to compare and contrast (which we are) Death Wish 2018 with the original 1974 film starring Charles Bronson, the latter version is a misfire. You can't call it a remake, really, so much as something loosely based on the original. 

Paul Kersey (Bruce Willis) is a Chicago surgeon with a nice life. Beautiful wife and daughter. When three intruders break into his home, his wife is killed and his daughter ends up in a coma. Thus begins the transformation, and the irony, of a man who has dedicated his life to saving lives turning into "The Grim Reaper"--cold-blooded judge, jury, and executioner of the violent street scum that have turned Chicago into the murder capital of the country. 

Charles Bronson had the ability to be debonair and dangerous at the same time, and that's what made him intriguing. Bruce Willis is a blue collar guy all the way, and thus hard to swallow as a surgeon from the get-go. He plays it deadpan pretty much throughout, and without the smirking wise-ass persona we've come to know and love, there's not a lot of charisma there. The producers are counting on name recognition alone to put butts in the seats.

The original Death Wish was pretty shocking. It contained one of the most brutal and graphic rape scenes ever for a major film. Wisely, the new version doesn't go there. Which is not to say it doesn't have a ton of violence and gore--whether it's in the operating room or mowing down the bad guys with an increasingly deadly arsenal of firepower. Bruce's Paul Kersey not only offs the perps, he tortures them as well. Bronson's vigilante had too much class for that. He just did what he had to do...plugged 'em and got the hell out of Dodge. All the way to Tucson, with its  established historical precedent for the kind of frontier justice he was meting out. It was a fitting backdrop. Our contemporary vigilante never makes it out of Chicago, and I guess that might turn anybody into a monster.

The similarity is in the message. Fight fire with fire. The end justifies the means because it's often a long wait for the cops to arrive. Only the timing for Death Wish 2018 couldn't have been worse, as a wave of anti gun sentiment now sweeps across the nation.  Even so, you may catch yourself rooting for Mr. Kersey and his do-it-yourself approach...until you stop and say: what am I thinking? 

That's the times we live in.

Grade:  C 

JILL'S TAKE

I kind of knew what to expect from my co-reviewer (since the original Death Wish was one of his very favorite films) but I didn't expect that I'd like this latest version as much as I did.  Of course Bronson's Paul Kersey as an architect was a lot easier to buy than Willis' surgeon role.  But when payback time began, and Die Hard Brucie got down to the business of killing, he became totally believable. Still, the choice by screenwriter Joe Carnahan to make our main character a surgeon was a tad dicey.  (Can you picture any of the surgeons on "Grey's Anatomy" behaving in such an unsavory manner?)

But I was definitely seat-of-the-pants involved with this thriller. The part of Kersey's somewhat shady brother Frank was beautifully portrayed by Vincent D'Onofrio. (He's one of these actors you've seen on TV and in movies but can't quite place.) 

And in an eerie example of life imitating art, the actress who plays Kersey's wife, Elizabeth Shue, was just in the news recently, pleading for any information leading to the arrest of the person who repeatedly stabbed her 20-year-old nephew on the streets of London.

My only nitpicking comment?  We should all be as quickly healed as Bruce Willis was from all his serious bodily injuries.... 

Be forewarned -- there's a lot of maiminig in this movie.  So if the sight of blood makes you queasy, go see Sherlock Gnomes instead.  

Grade: B +

   

  

Friday, October 17, 2014

THE JUDGE (2014)



Rated: R

STARS: Robert Duvall, Robert Downey Jr., Billy Bob Thornton, Vincent D'Onofrio, Vera Farmiga


DIRECTOR: David Dobkin


GENRE:  Drama


There is a reason why curmudgeonly judge Joe Palmer (Robert Duvall) is estranged from his hot-shot city lawyer son, Hank (Robert Downey Jr.) It's buried in the past, and to learn what it is will be one of the reasons why you'll hang in there with The Judge.  


Hank is returning to his old Indiana home to attend his mother's funeral, and in the process faces off with his father, who is about as stiff to him as Joan Crawford sitting on an ice floe. But their relationship will take an unexpected turn when the judge, who may be dealing with the onset of dementia, is charged with vehicular homicide involving an incident he can't remember. 


Necessity is the mother of invention, and Judge Joe agrees to let Hank be his legal counsel and defend him at his trial. This is where The Judge veers into soap opera land on the wobbly wheels of an unrealistic script, where the presiding judge refrains from picking up his gavel while father and son hash out their long standing personal issues in front of the court.


A lot of things turn out predictably in The Judge, though the ending has a couple of nice twists. But see this movie for the standout performances from Duvall, Downey, Billy Bob Thornton, and the underrated Vincent  D'Onofrio.


Grade:  B


JILL'S TAKE

Well I, for one, bought into Samuel Taylor Coleridge's phrase "the suspension of disbelief" when viewing The Judge. After all, movie courtroom dramas often veer into unrealistic face-offs. RememberA Few Good Men? ("You can't handle the truth!") Suffice it to say that The Judgehas produced two definite 2015 Oscar nominations. Alas, they will probably cancel each other out. But both Duvall and Robert Downey, Jr. deserve them. Father/son battles are the stuff of which great screenplays are made and The Judge is no exception. 

Wading through the credits, I see that director David Dobkin shares "story credit" with Nick Schenk, who shares screenwriting credit with Bill Dubuque. What amazes me is that Dobkin's other big movie credit isThe Wedding Crashers which is about as different from this movie as silly is from serious. Hats off to someone who can direct such diametrically opposite films.

Another actor who deserves mention is Vera Farmiga who plays Samantha Powell, Downey's high school sweetheart. Aside from her mesmerizing eyes, I totally bought her hometown yet liberated character. My advice? Go see this movie. NOW!

GRADE: A