Showing posts with label Cameron Diaz. Show all posts
Showing posts with label Cameron Diaz. Show all posts

Thursday, October 31, 2013

THE COUNSELOR (2013)



Rated: R

Stars: Michael Fassbender,  Javier Bardem,  Penelope Cruz,  Cameron Diaz,  Brad Pitt

Director: Ridley Scott

Genre: Crime Thriller/  Drama

Jolly good, then. Let's get to it. Most of the characters in The Counselor are assholes. No, make that stupid assholes. We know that early on because two of them, a drug mogul and his raunchy girlfriend--Javier Bardem and Cameron Diaz--keep cheetahs (with pretty collars) as pets. These folks have nothing to recommend them to any higher authority as having played the game of life with a whit of conscience, decency, or human compassion. And I've always found it strange (because the mentality exists in real life) that people would risk their freedom, and more often than not their lives, for illicit material gain--when they already have fresh air, clothes on their back, food on the table, a roof over their head, a nice dog (or girlfriend) to lick their face...what's missing here besides your sick, twisted obsession to prove to yourself that you are unworthy of happiness?  


Central to this charming tale of unmitigated greed is the defense attorney known only as "Counselor" (Michael Fassbender). He buys his girlfriend (Penelope Cruz) a 3.8 carat diamond ring, then falls in with a big-time drug ring to finance it.  One would think that it takes some smarts to become an attorney . There are multiple times when Counselor is asked if he's sure he wants to get involved in all this nasty business, and he never flinches. Ugh. Big ring make need for big money. Mmmm...what possibly go wrong?


Of course, things start to spiral out of control in short order and the noose begins to tighten around Counselor's neck (a pun I won't spoil if you are indiscriminate enough to plop your money down for this) as the Mexican drug deal he is counting on to save his financial ass goes awry. And somebody has to pay.


Along the way, The Counselor pauses now and again for some pretentious philosophizing about life. The movie is getting slammed for that more than for the fact that it's difficult to keep straight who's connected to whom and just how and why.  Stuff like when Bardem's character, Reiner, says: "Are you really that cold?"  And sleaze-squeeze Malkina (Carmen Diaz) replies: "The truth has no temperature."  The screen heats up, though, when Diaz demonstrates the fruits of her workout ethic by doing  the splits on the windshield of Reiner's Ferrari--grinding panty-less as he observes from inside. (
See artist rendering above!)  Later, when relating the story of the incident, he states: "That kind of thing changes you."

A stellar cast will draw filmgoers to this one just out of curiosity. But Cormac McCarthy's bleak and cynical script (his first screenwriting effort) may turn me into more of a misanthrope than I already am. (For the record, McCarthy's The Road was  the most soulless and depressing book I've ever read. )


Penelope Cruz provides some sweet steaminess. Javier Bardem adds some darkly comic relief. Fassbender is a clueless wonder. Carmen Diaz has an evil-looking face to begin with--she better guard against getting typecast.  Brad Pitt is a drugstore cowboy type who may be the most likable character in the movie.     


But none can save The Counselor  from going down.


Grade: D


JILL'S TAKE

Never mind all the things Tim has already pointed out—a disjointed script, red herrings that never get resolved, unsympathetic characters—my main beef with THE COUNSELOR is not about the film per se. It's about the actors—damn fine actors, too—who let themselves be talked into appearing in such mindless drivel. I can understand why Michael Fassbender might say yes to this turkey, given his sexual track record in "Shame." The opening scene between him and Penelope Cruz (Javier Bardem's wife in real life) outdoes itself in the oral sex department.

But it's downhill from there.

I was so confused by who was gunning for whom that I found myself hoping the cheetahs would make a meal out of at least one of these gangsta narcissisistas. About the only good thing I can say about this endlessly talky film is....I'm thinking, I'm thinking!

I liked Carmen Diaz' fake silver fingernails.

Grade: F







Monday, February 21, 2011

KNIGHT AND DAY--2010


Rated Pg-13

Stars: Tom Cruise, Cameron Diaz, Peter Sarsgaard, Paul Dano
Director: James Mangold
Genre: Action-Adventure/Comedy

Tom Cruise and Cameron Diaz have explosive chemistry, you might say, in Knight And Day--a formula action flick which pretty much amounts to one big, wild shootout spree, with a few exotic locales thrown in to try to put a pretty face on all that death and destruction.

Cruise is Roy Miller, a rogue CIA agent who is playing caretaker to boy genius Simon Feck, (Paul Dano) who has invented a battery--referred to as the Zephyr-which never runs down ( it keeps going, and going, and...). This, of course, could change the world, (not to mention the lives of all parents with little kids, especially on Christmas morning) so a bunch of bad dudes from the government as well as a Spanish arms dealer are after Miller and Feck, so they can get the battery and become all powerful and rich (ERRRRHAHAHAHAHAHA!!!) The baddies, of course, are willing to kill whomever they need to, to get their hands on said battery, and Miller is willing to kill all of the baddies--and he does, in those endless shootout scenes--where, like every action movie hero, he gets fired at hundreds of times, but never gets hit by the traveling GANG THAT COULDN'T SHOOT STRAIGHT that is also in every similarly themed movie.

Cameron Diaz is June Havens, the clueless twit who falls in with Miller when they share a plane flight. The budding romance between the two of them occurs, literally, between extended bursts of gunfire. At one point, Miller shoots a guy and June responds by saying I FEEL LIKE HAVING SEX! We're not supposed to take seriously that only a highly disturbed person in real life would say that under those circumstances, nor should we take any note that neither of these characters feels the slightest bit of revulsion or regret about taking lives as the bodies pile up--they just breeze along in their cavalier way with their witty TV sitcom dialogue.

At one point, June shouts: STOP THE SHOOTING...PLEASE STOP THE SHOOTING! She can't hear herself think, you see. Yes, Knight And Day is a romp--cute and clever in its way--with incredible action scenes, though it relies a bit too heavily on CGI...but seriously, when ARE they going to stop the shooting? Why do films like Knight And Day, and Salt, and all the others that have essentially reduced mindless violence to a video game, continue to get made? I'm the last dude who would advocate censorship, but we need to stop and ask ourselves WHY--in the good ol' USA--are we obsessed with this kind of crap? Are we so tense, angry, and frustrated as a people that we need this to give us some kind of release? Maybe so, or there might be more Jared Laughners being spawned than there already are.

Decadence glossed over...and the beat goes on.

GRADE: C










Monday, December 27, 2010

MOTHER AND CHILD--2009


Rated: R

Stars: Annette Bening, Naomi Watts, Kerry Washington, Samuel L. Jackson
Director: Rodrigo Garcia
Genre: Drama

Rife with poignant moments and superb performances, Mother and Child follows the interconnected lives of three women: The middle-aged Karen, (Annette Bening) who bore a child at the age of 14 and gave it up for adoption; Her child as an adult, Elizabeth, (Naomi Watts); and Lucy, (Kerry Washington) a young woman anxious to adopt a child.

Annette Bening--who remains one of our most talented actresses--shines as a moody, difficult woman, haunted by her decision lo these many years. Naomi Watts has always been an "anything goes" film presence, (see Mullholland Drive) and she's still willing to bare a lot more than her soul. Her portrayal of a promiscuous, emotionally numb young woman is spot on.

What can sometimes be the emotionally devastating effects of the adoption game may be a bit overplayed here, but Mother and Child is a film with its heart in the right place.

Grade: B +


A LIFE LESS ORDINARY--Retro: 1997 (R)

Stars: Cameron Diaz, Ewan McGregor, Holly Hunter, Delroy Lindo
Director: Danny Boyle
Genre: Dark Comedy

Holly Hunter steals the show as a gun-toting, tobacco juice spitting emissary from heaven who, along with her sidekick, (Delroy Lindo) is on a mission to unite two unlikely bedfellows (Cameron Diaz and Ewan McGregor) in true romance.

Danny Boyle (Slumdog Millionaire) demonstrated his directorial prowess early on in this quirky, high energy romp that seeks to answer the question: IS LOVE MERELY AN EMOTIONAL ADAPTATION TO A PHYSICAL NECESSITY?

Retro Grade: B