Stars: Julianne Moore, Amanda Seyfried, Liam Neeson
Director: Atom Egoyan
Genre: Erotic Thriller
Julianne Moore and Amanda Seyfried hook up in a steamy lesbian scene in director Atom Egoyan's Chloe. Moore has played some lesbian/bi-sexual roles before--though I don't know that she's ever come out and said ""I'm bi-sexual." It doesn't make a hill of pinto beans to me--but what gets me is actresses who are doing all this graphic stuff with other women on film, and then try to tell you they are straight--and that it's just part of the story, and they are making "sacrifices for their art." Like Cameron Diaz, who said: "If I'm going to be with a woman sexually, it doesn't make me a lesbian." No, it doesn't, Cameron. But bare minimum, it makes you bi-sexual.
Hey, if I'm an actor and I do a bunch of movies where I play a guy who likes asparagus, in scenes that require me to chow down on oodles of it...I wouldn't have taken on those roles if I really DIDN'T like asparagus! I"d spit that stuff right back in yo face!
Be whatever you want to be, (and be all you CAN be) but just don't insult my intelligence about it, is all I'm sayin.
AND NOW...BACK TO OUR STORY!
Julianne Moore is Catherine, a gynecologist who suspects her professor husband, David, (Liam Neeson) of cheating on her. She runs into Chloe, (Amanda Seyfried) a beautiful young call-girl, in a public restroom, and later gets the idea to hire the tart to approach her hubby and see if he will take the bait. When the two women subsequently meet to compare notes, Catherine finds herself getting aroused by Chloe's lurid descriptions of the things she's been doing with the doc's husband. Is Catherine living vicariously through the young temptress, thinking about the things she and David used to do together, but don't seem to have the time or the inclination for anymore? Or is there more to it than that? Well, yes there is...as the women become intimate with each other.
When Catherine must ultimately end the affair, Chloe crosses over into Fatal Attraction territory, as the scarlet woman spurned begins to find ways to ingratiate herself into Catherine's family. There's a twist at the end that I saw coming rather early on, and that you may catch onto as well if you're paying attention during the opening scene of the movie, and putting two and two together from there. The character of David is really window dressing here, as Chloe is all about the repressed desires of two women from disparate backgrounds finding common ground through their sexuality.
Michael Danna's brooding soundtrack is psychological thriller appropriate.
Temptation often leads us into sticky situations, from which we must try to extract ourselves--as best we can--hoping we haven't triggered the kind of karma that will come back to bite us on the butt...but that is often just what it does.